This is one of the finest books I have read about Alaska. This is a spare, unsentimental portrait of what life in Alaska is really like--both beautiful and harsh. This is not a book that romanticizes homesteading or the poverty of these homesteaders' lives; instead they come alive through the Brice's crystaline prose and her use of defining detail. Here is real life--people struggling to make lives for themselves in a country that is neither easy nor forgiving. The stark, black and white photographs that accompany the book add a beautiful and moving element. If you want to know what life on the frontier can really be like, read this book.

The author presents a thoughtful and thought provoking look at an oft misunderstood concept: homesteading in the wilds of Alaska. The reader is held in awe at the tenacity of these latter day pioneers who have chosen a lifestyle far removed from the experience of most of us in the lower forty-eight.

Intimate but respectful study of a unique breed of modern day pioneers in one of the last really remote places in America. Well done glimpse into a world of determination and dreams that most can only imagine.

This illuminating, well-researched book provides a look at a very important but neglected aspect of pre-Columbian Andean history. The re-tracing of ritual and pilgrimage in ancient times brings the reader into contact, with solid scientific basis, with native Andean spirituality, and gives essential insights into the rich and holistic Pre-Columbian Andean American Cosmo-vision. It also brings the Island of the Moon and its ancient sacred role out of undeserved obscurity.

This work is an excellent combination of archaeology and ethnohistory. The islands of the Sun and Moon in Lake Titicaca were two of the most important ritual pilgrimage sites in the Inca empire. Until now, our understanding of Inca religion has been hindered by the lack of a comprehensive study of these mysterious sacred islands. Bauer and Stanish present information from an extensive survey of the islands of the Sun and the Moon in a clear and persuasive manner. They then combine their survey results with what is known about these islands from historical sources to describe the activities of pilgrims and priests at these shrines. Anyone interested in Inca religion and politics will find this book invaluable.

The endpapers of this book feature an 1848 map of lighthouses on the Great Lakes. The evolution of the Lighthouse Board and the Fresnel lens are accompanied with historical photos as the book moves toward the 20th century. There are even some sequential photos of early training exercises for keepers and rescue workers. Readers then get to meet some of those keepers and their families, not in dry biographies, but in colorful accounts and memoirs. Once acquainted with these brave men and women, the tour of the Great Lakes lights begins, and sometimes I think that you see these lights today through their eyes. There is a pride in those that have been lovingly preserved, and a sadness for those in ruins. Each light covered has its historical significance and photo; some lights have more than one. A great many of the shots are aerial views, all in all a treat for any lighthouse buff.

This is simply a must have for your collection. Paul Williams has always been know for his spectacular work, but this is right near the tops. I HIGHLY recommend it!!!!

Octavia's Fried Chicken is the best, most foolproof fried chicken in the world. Octavia: whereever you are out there, thanks for making me EXTREMELY popular!

This is the stuff. These recipes, favourites of the ladies who submitted tham, have often been handed down from mother to daughter for generations.

These are the Good Recipes.

It's all here -- recipes developed from every part of the melange of cultures that makes Louisiana so thoroughly unique. And all of them excellent.

I wore out one copy, and lost my second in a move years ago -- i've been searching for a new one, and just thought tio look on Amazon.

In my opinion, this cook book belongs in every kitchen -- right next to a copy of the (real) Joy of Cooking.

In Terry Pratchett's wonderful fantasy novel, "Witches Abroad", Nanny Ogg, one of three witches who have travelled to their world's equivalent of New Orleans, tastes a jambalaya a voodoo woman has cooked up. Up till then, we are told, she had believed herself an excellent cook. But, tasting this, she realises that all she's been doing is "...not starving as pleasantly as possible."

Well, and i'll say it here in the Real World -- until you discover the delights of the Louisiana cuisine, all you're doing is not starving as pleasantly as possible.

And this book is an excellent place to start.

Have you ever wanted to know how TRUE cajuns made their creations. Well THIS IS IT! Everything I have every made is absolutely out of this world!

"You will be haunted by Three Spirits." So forewarns Jacob Marley's ghost to Mr. Ebenezer Scrooge, a miser of stingy, unfavorable traits. And so begins the enduring Christmas classic distinguished by almost everyone. Come along on an erratic journey with the Ghosts of Christmas Past, Present, and Future, all of whom attempt to point Scrooge onto a virtuous path. Meet the most notable characters ever introduced in literature: Bob Cratchit, angelic Tiny Tim, and good-natured Fred. With vivid descriptions of Victorian England and enlightening dialogue, 'A Christmas Carol' will enrapture both the young and old throughout the year with a vital lesson on hope and benevolence for humanity. This, I find, is treasured most of all in this brief story marvelously crafted by the creative Charles Dickens. No matter how many adaptations of the book one has seen on television or as films, the real source is highly recommended and should not be missed. For if you do pass the book up, you are being just a Scrooge (metamorphically speaking, of course!).

Master storyteller and social critic, Charles Dickens, turns this social treatise on shortcomings of Victorian society into an entertaining and heartwarming Christmas ghost story which has charmed generations and become an icon of Christmas traditions. Who, in the Western world has not heard, "Bah, Humbug!" And who can forget the now almost hackneyed line of Tiny Tim, "God bless us, every one!" or his cheerfully poignant observation, that he did not mind the stares of strangers in church, for he might thus serve as a reminder of He who made the lame, walk and the blind, see. Several movie versions: musical, animated, updated, or standard; as well as stage productions (I recall the Cleveland Playhouse and McCarter Theatre`s with fondess.) have brought the wonderful characterizations to the screen, as well as to life. This story of the redemption of the bitter and spiritually poor miser, and the book itself; however, is a timeless treasure whose richness, like Mrs Cratchit`s Christmas pudding, is one that no production can hope to fully capture.

Well, I finally read it (instead of just watching it on the TV screen).

This is what you can call a simple idea, well told. A lonely, bitter old gaffer needs redemption, and thus is visited by three spirits who wish to give him a push in the right direction. You have then a ghost story, a timeslip adventure, and the slow defrosting of old Scrooge's soul. There are certain additions in the more famous filmed versions that help tweak the bare essentials as laid down by Dickens, but really, all the emotional impact and plot development necessary to make it believable that Scrooge is redeemable--and worth redeeming--is brilliantly cozied into place by the great novelist.

The scenes that choke me up the most are in the book; they may not be your favourites. I react very strongly to our very first look at the young Scrooge, sitting alone at school, emotionally abandoned by his father, waiting for his sister to come tell him there may be a happy Christmas. Then there are the various Cratchit scenes, but it is not so much Tiny Tim's appearances or absence that get to me--it's Bob Cratchit's dedication to his ailing son, and his various bits of small talk that either reveal how much he really listens to Tim, or else hide the pain Cratchit is feeling after we witness the family coming to grips with an empty place at the table. Scrooge as Tim's saviour is grandly set up, if only Scrooge can remember the little boy he once was, and start empathizing with the world once again. I especially like all Scrooge's minor epiphanies along his mystical journey; he stops a few times and realizes when he has said the wrong thing to Cratchit, having belittled Bob's low wages and position in life, and only later realizing that he is the miser with his bootheel on Cratchit's back. Plus, he must confront his opposite in business, Fezziwig, who treated his workers so wonderfully, and he watches as true love slips through his fingers again.

It all makes up the perfect Christmas tale, and if anyone can find happiness after having true love slip through his fingers many years ago, surprisingly, it's Scrooge. With the help of several supporting players borrowed from the horror arena, and put to splendid use here.

This is a very beautiful field guide, but where are the crayfish?

This is the 3rd book in the "Audubon Society Nature Guides" series that I've purchased, and they continue to be a pleasure to read and use. For anyone who lives near, will be travelling to, or has a general interest in Wetlands, this book is an essential. Not only is it beautifully illustrated and easy to use, but it's also a great general guide to Wetlands in the US. I am in the Chicagoland region, and almost all of the book applies to our area. Highly reccomeded for anyone from the novice to Wetland professional.

Good, engrossing read on the events surrounding the capture of Leonard Lake and Charles Ng, and the discovery of the house of horrors of the Wilseyville Ranch. The book is well laid out and easy to follow and for that I give it high marks. However, I found it lacking in any true background information on Lake and Ng. There's no insight as to who they were, just what they did. Part of the reason I read such novels as this is to find out what happened to shape people into the beasts they become. There was none of that here. Also, the character of Tomasina Boyd Clancy, the reporter and the only fictional character in the book, just rubbed me the wrong way. Maybe it was because I knew she didn't exist, and knowing that the authors discription of her being a knock out red head, and the unusual name made it all so obvious. She completely unnecessary and her thoughts during the hearings at the end just got in the way of the otherwise riviting speech of the lawyers. Finally, I was somewhat surprised in the Author's Note at the end the calls for the retirement of the Death Penalty not because it was inhumane, but because the fight to avoid it by the accused usually ends up in a long and costly trial. While the points certainly have their validity, reading them at the end of such a tale is almost unbelieveable. I had to reread the last paragraph several times to make sure I had read what I had read. And for those final points I had to mark down this book.

My sympathies go out to Mr. Bond and his family. I hope they can rest a little easier knowing that Ng has finally gone to trial.

Just as David Bond explained, I was also very surprised on the amount of information the authors had since even family members were "left in the dark". We found out that in 1995 the State of California had 95% identified the remains of my sister Sheryl Lynn Okoro but did not receive that news or her remains until after the trial started in November of 1999. And only then did we find out from a reporter who had been sitting in on the trial! She was finally brought home and laid to rest in December 1999, 14 years after her death. The book answered alot of the questions our family had and it shed some light on the monsters who took the lives of our loved ones. Once I started reading I could not put it down. Very engrossing. My heart extends to all families who have yet to endure our nightmare.

The jury just found Ng guilty on 11 counts of murder and are now hearing evidence for the penalty phase -- death or life without parole -- this is in response to prior reviewer's request for more current info. I prepared transcripts for the court reporter during four years Ng was in Calaveras County, and it is chilling to read the case in this format -- adds the drama that is not always evident from a transcript. Publisher needs to reprint, especially since it is back as front-page news and the saga of the appeals is about to start.

The more Dickens I read, the more impressed I become at his skill as a writer. No matter the form, be it short, long, or a monolith like some of his best works, Dickens excels at changing his style of characterization and plot to fit whatever mode he writes in. "A Tale of Two Cities" is one of his shorter novels, and he manages to make the most of out of the allotted space. The compression of the narrative sacrifices Dickens's accustomed character development for plot and overall effect, but what we get is still phenomenal.

"A Tale of Two Cities" begins in 1775, with Mr. Lorry, a respectable London banker, meeting Lucie Manette in Paris, where they recover Lucie's father, a doctor, and mentally enfeebled by an unjust and prolonged imprisonment in the Bastille. This assemblage, on their journey back to England, meets Charles Darnay, an immigrant to England from France who makes frequent trips between London and Paris. Upon their return to England, Darnay finds himself on trial for spying for France and in league with American revolutionaries. His attorney, Stryver, and Stryver's obviously intelligent, if morally corrupt and debauched, assistant, Sydney Carton, manage to get Darnay exonerated of the charges against him. Darnay, a self-exiled former French aristocrat, finds himself compelled to return to France in the wake of the French Revolution, drawing all those around him into a dangerous scene.

Dickens portrays the French Revolution simplistically, but powerfully, as a case of downtrodden peasants exacting a harsh revenge against an uncaring aristocratic, even feudal, system. The Defarge's, a wine merchant and his wife, represent the interests of the lower classes, clouded by hatred after generations of misuse. Darnay, affiliated by birth with the French aristocracy, is torn between sympathy for his native country in its suffering, and his desire to be free of his past.

"A Tale of Two Cities" is a novel driven by historical circumstance and plot, much like the works of Sir Walter Scott, wherein the characters themselves assert less agency, finding themselves forced to deal with the tide of epic events. Richard Maxwell's introduction to this newest Penguin edition does a good job outlining the themes of doubling and literary influence that Dickens works with. One specific influence I discerned in reading "A Tale" that Maxwell doesn't metion is Edmund Burke's "Reflections on the Revolution in France," which if nothing else, gives the feeling that the rampant violence of the early revolution and the later Reign of Terror has brought about an irreversible change in human nature. While Dickens remains cautiously optimistic throughout the novel that France can recover, the tone of the novel speaks to the regression of humanity into a more feral, primal state, rather than advertise any real hope for its enlightened progress.

Despite the supposed dichotomy between England and France in the novel, Dickens seems to suggest throughout that there are no real differences, due to the way that human nature is consistently portrayed. With England in between two revolutions, American and French, Lucie's sensitivity early in the novel to hearing the "echoing" footsteps of unseen multitudes indicates a palpable fear that the "idyllic" or "pastoral" England he tries to portray is not exempt from the social discontent of America or France. In this light, stolid English characters like Miss Pross, Jerry Cruncher, and Jarvis Lorry appear to almost overcompensate in their loyalty to British royalty. In a novel that deals with death, religion, mental illness, I could go on and on for a week, but I won't. One of those novels whose famous first and last lines are fixed in the minds of people who've never even read it, "A Tale of Two Cities" demands to be read and admired.

Love, betrayal, drama, and suspense, the makers of a great novel, are all found in Charles Dickens', A Tale of Two Cities. Dickens not only sets a great foundation for the novel but he also builds an illustrious story with great detail. His creativity explodes in this book.

The book is set in the time before and during the French Revolution. It is about the experiences of two French families and how those experiences later collide with their future. Their experiences not only create a great fictional story but they also dipict the true horrors that occured in France at that time.

Dickens makes the plot very interesting because he incorporates fiction and historical facts and events. For example in the storming of the Bastille scene, he brings to life an actual event and adds the fiction of what the peasants found in Dr. Manette's cell and the inside look on how they may have felt. Two other examples include the scenes where the revolutionaries kill the king and queen of France and the many times they use the guillotine. They demonstrate this mixture because they're true events yet, Dickens adds fictional characters and the feelings and emotions the people might have had.

Another great touch that Dickens adds is all the detail. Although at times it is rather long it helps to make a clear picture in the mind of what is going on. One such example where he does this is when he describes fate and death. He makes two rather hard to picture objects visible in the mind as the Farmer and the Woodsman. Another example of his great use of detail is when he describes Mr. Lorry's trip down the Dover mail. His description gives the feeling of actually being there. These are just two but there are numerous of other examples.

One more thing that made this novel fascinating was how Dickens reveals bits and pieces of the plot mixed together, but then ties every piece together at the end. For example he dipicts the Marquis' cruelness first and does not explain his involvement right away. However, by the end he turns out to be a key character. He also does that with the character of Dr. Manette. He introduces the character but leaves the suspense of that character's involvement until later. The suspense keeps the interest in the novel going. Dickens details, mixture of fact with fiction, and suspense makes the novel a extremely enjoyable book. After reading this book a clear understanding is achieved of why Charles Dickens is such a renowned author. A Tale of Two Cities is a unique and fascinating story which is why it is a must for anyone's bookself.

Even after many centuries, a classic novel can still be read, understood and charm a wide audience. For it teaches the reader about life and death, society and history through a magnificent story. "A Tale of Two Cities", written in 1859, is one of those classics.

This magnificent story begins a year before the American Independence and several years before the French Revolution. As only Dickens can, he breathes life into the most bizarre, comical and memorable characters... such as Madame Defarge, Miss Pross, Jerry Cruncher and a slew of others. But in the midst of these people, the light shines on the few characters on which the story hence revolves. About Lucie Manette who has a true and beautiful heart that affects everyone around her and her aristocratic husband Charles Darnay, an ambitious man of French blood. Dr. Manette who after surviving 18 years in jail overcomes his weakness to rescue another. The light shines strongly upon Sydney Carton... a man who doesn't seem very redeemable in the beginning but who has a heart of gold who is capable of the greatest sacrifice of all for the woman he loves. It is these people whom Dickens chose to give life to during the grim and bloody French Revolution.

This novel is one of my most favorite of Dickens' novels. The hero and the heroine are rather complex and admirable characters. However, they are not necessarily the ones that win the sympathy and the heart of the reader... but suprisingly (and pleasantly) to the most unexpected of Dickens' character. On another note, the novel starts with a famous and recognizable opening line, "It was the best of times, it was the worst of times..." and ends with a very memorable line, "It is a far, far better thing that I do, than I have ever done; it is a far better rest that I go to than I have ever known." To which I give great credit to the novel by Mr. Dickens.

Few works of adult literature are so well known that they become embedded in our cultural fabric the way that Oliver Twist has. Perhaps it is because the title character is a loveable, sympathetic, young boy that the story, over time, has come to be mistaken by some for a children's tale. And perhaps it is because I feel like I have known the story all my life that I only recently realized that I had never, in fact, read the novel. So as I sat down to (finally) read this book, it was with a sense that I was simply revisiting a cherished story from my youth. But as I quickly realized after a very few pages, this is adult literature in all respects - in its sophisticated, intelligent prose, its rich plot, its elaborate cast of characters, and, yes, the occasional depiction of gruesome violence.

Surely even those who have never read this Charles Dickens' classic could recite the basic elements of its plot. Who among us is unfamiliar with the story of the young orphan who musters up the courage to ask, "Please, sir, I want some more." And yet this novel is so much more than a mere rags-to-riches story. It is also the heartwarming story of the triumph of good versus evil and of the human spirit's ability to face down adversity. Dickens pits an innocent child against the dangers of an uncaring world, and the story's happy ending is at once a celebration of Oliver's innocence and an affirmation of all that is right and just in society.

Though the prose can be tedious at times, Dickens' mastery of the English language is difficult not to appreciate. And while some may find the plot cliché, there is sufficient tension throughout the novel to maintain the reader's interest. For myself, I was continually surprised, as the chapters unfolded, to realize how much more there was to this classic than simply a story about an orphan who falls in with a gang of unruly pickpockets. This is definitely worth reading, even if you feel like you have already read it as a child.

For the younger reader exploring Charles Dickens, this abridged version will not be intimidating. It'll help open the door to classic literature, and challenging ideas.

"Oliver Twist" is a complex story about the English welfare system for orphans, overlayed by a story of love, family, and the pursuit of each.

What is missing from this version is Dickens' long descriptions and thorough presentations of a situation. What makes Dickens great, in part, is his multi-woven characters, filled with color and excitement. Some of that is lost here.

That said, this is an excellent choice for an older child having trouble reading, or the younger, aggressive reader. The story about Oliver Twist is strong enough to endure an adaptation, but, later on, it is a thrill to read the original version.

I fully recommend "Oliver Twist" by Charles Dickens.

Anthony Trendl

The creative novel Oliver Twist, written by Charles Dickens in 1838, defines a classic of all times. This intense story reflects a young boy's life in London with no family or place to go. Oliver's mother dies while giving birth to her son in the beginning of the book. Oliver's father remains unknown. Throughout the book the reader sees constant struggles. Oliver is befriended by Fagin and his company. Fagin, along with the Artful Dodger, invite Oliver to stay with them and become a thief. During one of Oliver's pick pocketing adventures; he is caught by Mr. Brownlow. Instead of reprimanding the young lad, Mr. Brownlow decides to raise him. Oliver desperately searches for the answer to his past while trying to stay alive on the streets of London. Ironically, Mr. Brownlow is Oliver's grandfather. A dominate theme of Oliver Twist examines the importance of family. Oliver's early years taught him to fend for himself and he suffers from never experiencing a loving and nurturing childhood. The setting of the book plays a powerful role as the story unfolds. Dickens describes the setting of London and all the places that Oliver stays very descriptively. "The street was very narrow and muddy, and the air was impregnated with filthy odor. The walls and ceiling of the room were perfectly black with age and dirt..." (page. 56). Dickens explains the facilities that were available to poor Oliver and makes them sound unbearable. He does an excellent job making the setting come alive and allows the reader to plight. I would recommend all readers at some point in life to delve into this classic. I found Oliver Twist very moving and towards the end hoping only the best for poor Oliver.